Select Publications
2017
Weir, Justin, Marina Rojavin, and Tim Harte. 2017. “Gender, Sex, and the Fantasy of the Non-Expressive in Sergei Parajanov’s The Color of Pomegranates.”. In Women in Soviet Film. New York: Routledge.
Weir, Justin, Marina Rojavin, and Tim Harte. 2017. “Gender, Sex, and the Fantasy of the Non-Expressive in Sergei Parajanov’s The Color of Pomegranates.”. In Women in Soviet Film. New York: Routledge.
2015
Allen, Ed. Elizabeth Cheresh, William Mills Todd, and Justin Weir. 2015. “Fear and Loathing in the Caucasus: Tolstoy’s ‘The Raid’ and Russian Journalism”. In Before They Were Titans: Essays on the Early Works of Dostoevsky and Tolstoy. Boston: Academic Studies Press.
Allen, Ed. Elizabeth Cheresh, William Mills Todd, and Justin Weir. 2015. “Fear and Loathing in the Caucasus: Tolstoy’s ‘The Raid’ and Russian Journalism”. In Before They Were Titans: Essays on the Early Works of Dostoevsky and Tolstoy. Boston: Academic Studies Press.
2011
Weir, Justin. 2011. The Author As Hero: Self and Tradition in Bulgakov, Pastenak, and Nabokov. Paperback Reprint. Evanston: Northwestern University Press.
Weir, Justin. 2011. The Author As Hero: Self and Tradition in Bulgakov, Pastenak, and Nabokov. Paperback Reprint. Evanston: Northwestern University Press.
Weir, Justin. 2011. Leo Tolstoy and the Alibi of Narrative. New Haven: Yale University Press.
Weir, Justin. 2011. Leo Tolstoy and the Alibi of Narrative. New Haven: Yale University Press.
2010
Weir, Justin, and Ed. Donna Orwin. 2010. “Tolstoy’s The Realm of Darkness and Violence”. In Anniversary Essays on Tolstoy. Cambridge: Cambridge University Press.
Weir, Justin, and Ed. Donna Orwin. 2010. “Tolstoy’s The Realm of Darkness and Violence”. In Anniversary Essays on Tolstoy. Cambridge: Cambridge University Press.
Weir, Justin, Eds. Joe Andrew, and Robert Reid. 2010. “Turgenev As Institution: Notes of a Hunter in Tolstoy’s Early Aesthetics”. In Turgenev: Art, Ideology, and Legacy. Amsterdam/New York: Rodopi.
Weir, Justin, Eds. Joe Andrew, and Robert Reid. 2010. “Turgenev As Institution: Notes of a Hunter in Tolstoy’s Early Aesthetics”. In Turgenev: Art, Ideology, and Legacy. Amsterdam/New York: Rodopi.
2007
Weir, Justin, and Ed. Galina Alekseeva. 2007. “Тема любви в поздной прозе Толстого”. In Лев Толстой и мировая литература. Iasnaia poliana.
Weir, Justin, and Ed. Galina Alekseeva. 2007. “Тема любви в поздной прозе Толстого”. In Лев Толстой и мировая литература. Iasnaia poliana.
2003
Weir, Justin, Eds. Amy Mandelker, and Liza Knapp. 2003. “Tolstoy Sees the Truth But Waits: The Consequences of Aesthetic Vision in ’Anna Karenina’”. In Approaches to Teaching Tolstoy’s ’Anna Karenina’. New York: MLA.
Weir, Justin, Eds. Amy Mandelker, and Liza Knapp. 2003. “Tolstoy Sees the Truth But Waits: The Consequences of Aesthetic Vision in ’Anna Karenina’”. In Approaches to Teaching Tolstoy’s ’Anna Karenina’. New York: MLA.
2002
Weir, Justin. 2002. Author As Hero: Self and Tradition in Bulgakov, Pasternak, and Nabokov. Evanston: Northwestern University Press.
Weir, Justin. 2002. Author As Hero: Self and Tradition in Bulgakov, Pasternak, and Nabokov. Evanston: Northwestern University Press.
2000
Weir, Justin, and Timothy Langen. 2000. Eight Twentieth-Century Russian Plays. Evanston: Northwestern University Press.
Weir, Justin, and Timothy Langen. 2000. Eight Twentieth-Century Russian Plays. Evanston: Northwestern University Press.
1998
Weir, Justin, and Ed. Andrew Wachtel. 1998. “Rimsky-Korsakov’s ’The Golden Cockerel’ Between Realism and Modernism”. In Intersections and Transpositions: Russian Music, Literature, and Society. Evanston: Northwestern University Press.
Weir, Justin, and Ed. Andrew Wachtel. 1998. “Rimsky-Korsakov’s ’The Golden Cockerel’ Between Realism and Modernism”. In Intersections and Transpositions: Russian Music, Literature, and Society. Evanston: Northwestern University Press.
1996
Weir, Justin. 1996. “Anna Incommunicada: Language and Consciousness in ’Anna Karenina’”. Tolstoy Studies Journal 8.
Weir, Justin. 1996. “Anna Incommunicada: Language and Consciousness in ’Anna Karenina’”. Tolstoy Studies Journal 8.